Urinetown is set in a drought stricken dystopia where even the simple act of going to the toilet comes at a price. After twenty years without rain, private bathrooms have become a luxury of the past, and citizens must pay to use tightly regulated public amenities.
Anyone caught relieving themselves in the streets is whisked away to the mysterious and dreaded ‘Urinetown’. Amidst this bleak backdrop emerges unlikely hero Bobby Strong, who dares to rebel against the corrupt Urine Good Company.
This is complicated by his blossoming love for Hope Cladwell, the daughter of the very tycoon he seeks to overthrow. Through sharp wit and clever parody, the show covers themes such as greed, corruption, politics, the legal system, and the conventions of musical theatre itself.
Director Andrew Baker has brought together a talented, vibrant ensemble, and it shows in every moment. Not a weak link in sight. Each performer fully inhabits their character with gusto, energy, and a sense of play that radiates into the audience. The result is an evening brimming with fun, satire and heart.
The staging is refreshingly simple, anchored by two golden toilets that form part of the set. The band, led by musical director Taui Pinker, is tight, cohesive and beautifully supports the rhythmic pulse of the production.
Marshall Brown is a standout as Bobby Strong. He commands the stage with ease. He is confident, charismatic, and vocally gripping. His ability to balance earnest sincerity with comedic charm makes him instantly likeable.
Izzi Green is an absolute delight as Hope Cladwell, bringing a bright, clear voice and a warmth that plays beautifully against Brown. Their duets are tender and heartfelt. Sharon Kiely as Penelope Pennywise delivers power and precision, with a commanding presence and excellent rapport with the cast.
Nick Maclaine’s Officer Lockstock is a cartoon character in human form. His facial expressions and physicality are wonderfully animated, shifting effortlessly between humour and menace. He connects brilliantly with the audience, grounding the satire with genuine emotional depth.
Madeleine Shaw charms as Little Sally, clutching her teddy bear and offering sharp commentary through a sweet innocence. Her voice is beautifully balanced and a pleasure to hear.
So many cast members possess magnetic stage presence, stepping into the spotlight with confidence and commitment. Chris McCafferty’s Mr Cladwell swings his cane bringing a vaudeville flair and feel to his solos.
The musical number Run, Freedom, Run showcases a rich, unified choir that climaxes into a full gospel sound, while Don’t Be a Bunny brings pure joy as cast and band don bunny ears and bounce along. Special mention to William Foskett, whose campy chorus moment received roars of laughter.
Maree Cole as Little Becky Two Shoes and Marcus Gadd as Hot Blades Harry deliver a witty, sharp, and wonderfully timed rendition of Snuff the Girl. Their chemistry elevates the number into one of the evening’s highlights.
Urinetown ends with another gospel revival wave of energy, sending the audience into a rousing round of applause.
This is a highly entertaining production led by an exceptional cast. When their voices blend, the sound is nothing short of exhilarating. A clever, spirited, and joyously satirical night at the theatre.
Urinetown
The Liberty Theatre, 81 Barrack Street, Perth
Performance: 14 November 2025
Season: 8 – 15 November 2025
Information: www.westernskyprojects.com.au
Images: Marshall Brown as Bobby Strong and the Cast of Urinetown – photo by Mark Flower Photography | The Cast of Urinetown – photo by Mark Flower Photography
Review: Craig Dalglish