Known for its sharp satire and memorable songs, intermingled with its playful take on authority, Gilbert and Sullivan’s comic operetta, The Pirates of Penzance (or The Slave of Duty), is amongst the duo’s beloved works alongside The Mikado and H.M.S. Pinafore.
Premiering in 1879, the work quickly gained international popularity, including in Australia, where it has remained a staple of community and professional theatre companies alike. And now, a timely revival has opened at the Hayes Theatre Co.
Viewed with a fresh vibrancy, Richard Carroll’s production bursts with much humour and charm. From the get-go, a party atmosphere is ensued. As the audience take their seats, the mingling cast prepare to celebrate Frederic’s 21st birthday. But nothing is what it seems. A technicality around his birth date leads to a series of humorous entanglements and much merriment.
Jay Laga’aia commands the stage as The Pirate King, exuding a magnetic presence that perfectly balances the bravado and mischief of the character. His rich, resonant voice and playful delivery set the tone for an evening of rollicking adventure.
Equally impressive is Brittanie Shipway, who shines in the dual roles of Ruth and Mabel. Her masterful transitions between the two characters showcase not only her vocal dexterity but also her sharp comedic instincts, making her performance a standout.
Maxwell Simon brings a charming sincerity to Frederic, the naive yet well-meaning protagonist caught between duty and love. His chemistry with Shipway’s Mabel is both touching and hilariously awkward, adding layers to the light-hearted romance at the heart of the show.
Trevor Jones delivers an uproariously funny take on the iconic Major-General, navigating the lightning-fast patter of his famous song with dazzling precision and impeccable comedic timing. Meanwhile, Billie Palin shines as Isabel (and Barry), lending a lively energy that enriches this already stellar cast.
Carroll’s direction infuses the production with a contemporary wit while preserving the timeless appeal of Gilbert and Sullivan’s satire. Complimenting this, Shannon Burns’ choreography, is dynamic and inventive, ensuring every scene is visually captivating.
Nick Fry’s design is simply clever and effective, evoking many moments of whimsy – a highlight being the troupe of police in Act Two. Paying homage to the works historical popularity, the theatrical posters from past productions, displayed across the set was a nice touch.
Victoria Falconer and Jones’ musical arrangements bring a fresh take to the score, breathing new life into the beloved melodies while maintaining the operetta’s classic charm. The inclusion of I Hear The Soft Voice (originally I Hear The Soft Note from Patience) to open Act Two was hauntingly beautiful.
Carroll and his team should be very proud of this work – this inventive adaptation of Gilbert and Sullivan’s beloved operetta is an absolute gem and a must-see for both long-time fans and newcomers alike.
The Pirates of Penzance
Hayes Theatre Co, 19 Greenknowe Avenue, Potts Point
Performance: Tuesday 18 February 2025
Season continues to 22 March 2025*
Bookings: www.hayestheatre.com.au
Illawarra Performing Arts Centre, 32 Burelli Street, Wollongong
Season: 26 – 29 March 2025
Bookings: www.merrigong.com.au
The Playhouse – Canberra Theatre Centre, Civic Square, Canberra
Season: 2 – 6 April 2025
Bookings: www.canberratheatrecentre.com.au
For more information, visit: www.hayestheatre.com.au for details.
Images: Jay Laga’aia and the Cast of The Pirates of Penzance – photo by John McCrae | Brittanie Shipway in The Pirates of Penzance – photo by John McCrae | The Cast of The Pirates of Penzance – photo by John McCrae
Review: Rohan Shearn
Note: * Season extended to 22 March 2025