The world-premiere Melbourne Winter Masterpieces exhibition, The Picasso Century, charts the extraordinary career of Pablo Picasso in dialogue with the many artists, poets and intellectuals with whom he intercepted and interacted throughout the 20th century, including Guillaume Apollinaire, Georges Braque, Salvador Dalí, Alberto Giacometti, Françoise Gilot, Valentine Hugo, Marie Laurencin, Dora Maar, André Masson, Henri Matisse, Dorothea Tanning and Gertrude Stein.
Exclusively developed for the NGV by the Centre Pompidou and the Musée national Picasso-Paris, the exhibition features over 80 works by Picasso alongside over 100 works by more than 60 of his contemporaries, drawn from French national collections, as well as the NGV Collection.
Audiences will also have the opportunity to discover a rich selection of works by artists rarely exhibited in Australia, including Natalia Goncharova, Julio González, Wifredo Lam, Suzanne Valadon and Maria Helena Vieira da Silva.
Curated by noted scholar of 20th century painting Didier Ottinger, Deputy Director of the Musée national d’art moderne, Centre Pompidou, Paris, The Picasso Century examines the diverse influences, encounters and collaborative relationships that steered Picasso through many distinct artistic periods, such as his Blue Period, Cubism and Surrealism, and draws lines between Picasso’s famous creations and the world around him.
By exploring Picasso’s career through his personal, artistic and intellectual engagement with his peers, the exhibition provides a unique insight into the artistic legacy of one of the 20th century’s most influential and celebrated artists, as well as the community of artists from which he emerged.
“An extraordinary international collaboration, this exhibition has been developed for Melbourne and presents Picasso’s work, alongside many other famous artists and thinkers, like never before,” said Victoria’s Minister for Creative Industries Danny Pearson.
“We’re excited to bring this latest world-premiere Melbourne Winter Masterpieces exhibition to the NGV as part of our blockbuster season of art. It’s a treat for local art lovers and a massive drawcard for visitors this winter,” said Pearson.
“Picasso reunited at last with Australia and his fellow accomplices and travellers. I am delighted with this collaboration between two French institutions and the National Gallery of Victoria: this exceptional partnership will allow the Australian public to discover Picasso’s paintings, sculptures, drawings, ceramics, and the works of the artists with whom he never ceased to interact. I wish to extend a warm thank you to all those who have made this magnificent project possible,” said Laurent Le Bon, President, Centre Pompidou.
“The Picasso Century offers an original, broad approach that allows us to grasp the artist’s career in his artistic and cultural context, from his formative years to his posterity,” said Cécile Debray, President, Musée national Picasso-Paris. “It thus offers an astonishing journey through the Parisian and cosmopolitan art scene of the 20th century.”
“A Picasso, no longer a genius “ex-nihilo” but an artist in the world, with his friendships with poets, cubists, surrealists, his political commitments, his love affairs with artists, his circles of disciples and admirers.”
“I am delighted by this partnership with the National Gallery of Victoria in Melbourne, which testifies to the ties of friendship and proximity between France and Australia, but also that the French museums participating in this major exhibition have the opportunity to be ambassadors of French heritage and of a historic artistic scene that was the foundation of Western modernity,” said Debray.
Twelve thematic sections organise The Picasso Century, which trace the many distinct periods that shaped the artist’s career over more than seven decades, while also situating his work within a broader artistic and geographical context. Each exhibition section provides a nuanced perspective on a rich century of artistic experiment, in which Picasso stands prominently among many innovators.
The beginning of the exhibition explores Picasso’s formative years, which encapsulate significant artistic developments, most notably Cubism, the development of which Picasso led with Georges Braque.
Considered by many the ‘experiment’ that most radically transformed 20th century art, Cubism saw Western art move away from representing likeness and, among many innovations, introduced multiple and simultaneous perspectives into a composition, resulting in the style’s recognisable fragmented imagery.
The Picasso Century also examines Picasso’s place within the multicultural crucible that was inter-war Paris, and his interaction with other artists and intellectuals including André Breton, Georges Bataille, Aimé Césaire, Alberto Giacometti and Gertrude Stein.
The exhibition will be particularly rich with works from Picasso’s Surrealist period, presented alongside works by artists including Kay Sage, Max Ernst, Salvador Dalí, Giorgio de Chirico and André Masson.
The final sections of the exhibition explore Picasso’s work in an increasingly international art world post-1945 and examines the contested artistic output towards the end of his career. His work of the 1950s and 1960s are positioned alongside later generations of painters, including Francis Bacon and Willem de Kooning.
The inevitable question of Picasso’s legacy in the 21st century will be posed through the inclusion of the 2009 video work I see a woman crying (Weeping Woman), Tate Liverpool by Rineke Dijkstra. This engaging contemporary work invites reflection on Picasso’s position as a point of reference for all who seek to understand the history of 20th century art.
“This exhibition offers visitors an extraordinary insight into the development of modern art and the preeminent figure at its centre, Pablo Picasso,” said Tony Ellwood AM, Director NGV. “Through more than 180 works of art – including many that have never been seen in Australia – audiences will come to appreciate the many ways in which Picasso influenced – and was influenced by – the artistic community that surrounded him.’
Coinciding with The Picasso Century will be a free NGV Kids exhibition titled Making Art: Imagine everything is real featuring a range of hands-on activities and multimedia experiences inspired by methods of working invented by some of the leading European artists included in the Melbourne Winter Masterpieces exhibition.
While learning about some of the leading artists of the twentieth century in Europe, children will make their own surprising works as they explore collage techniques, write poetry and play surrealist games and turn everyday materials into large-scale sculptures.
The Picasso Century
NGV International, St Kilda Road, Melbourne
Exhibition: 10 June – 9 October 2022
Entry fees apply
For more information, visit: www.ngv.melbourne for details.
Image: Pablo Picasso, The bay of Cannes (La Baie de Cannes) 19 April – 9 June 1958, oil on canvas, 130.0 x 195.0 cm, Musee national Picasso-Paris, Donated in lieu of tax, 1979, (MP212) (c) Succession Picasso/Copyright Agency, 2022. Photo: (c) RMN-Grand Palais (Musee national Picasso-Paris) | Mathieu Rabeau