Featuring the work of one of the most important living artists of our times, the Museum of Contemporary Art Australia (MCA Australia) has opened Tacita Dean, its major summer exhibition.
Presented as part of the Sydney International Art Series 2023/2024, this Sydney-exclusive exhibition brings together significant works created by Dean over the past decade and is the most important survey of the artist’s work to be presented in the Southern Hemisphere.
Based between Berlin and LA, Tacita Dean (b. 1965, Canterbury, UK) is renowned for her compelling works in wide-ranging mediums including film, photography, sound, installation, drawing, printmaking and collage.
Engaging with themes of landscape, history, mortality, entropy and the passage of time, Dean’s extraordinary art reflects her sensitivity to and wonder at natural phenomena, her sustained exploration of the processes of making, and deeply felt empathy for a world in flux.
In an era in which digital technology has become the mainstay of so much of our lives, Dean’s use of photochemical film as one of her principal mediums is especially relevant. “My relationship to film begins at that moment of shooting and ends in the moment of projection,” said Dean.
“Along the way, there are several stages of magical transformation that imbue the work with varying layers of intensity. This is why the film image is different from the digital image: it is not only emulsion versus pixels, or light versus electronics, but something deeper – something to do with poetry.”
Curated by MCA Director Suzanne Cotter, Senior Curator Exhibitions Jane Devery, and Curator Megan Robson, the exhibition Tacita Dean is composed of inter-related bodies of work made around the world, from Berlin to Los Angeles, Japan and Australia.
It includes new and recent films, monumental chalkboard drawings, sensuous photographic and print series, and early ephemera works exhibited for the first time.
“Tacita Dean is undoubtedly one of our greatest living artists and an artist that truly speaks to our contemporary moment,” said MCA Director Suzanne Cotter. “Aesthetically seductive and scintillating in its intelligence, her work is a profound and poetic response to the world as visual sensation and as a metaphor for time and the interconnectedness of people, places and things. We are excited and honoured to be presenting this exhibition to a broad public in Australia.”
“To be able to present the work of one of the most inspiring living artists of the 21st century at the same time as the work of Louise Bourgeois, one of the great artists of the 20th Century, is being presented at the Art Gallery of New South Wales is a momentous occasion for residents and visitors to New South Wales this summer.”
Exhibition highlights:
Premiering in Australia is the major new film installation, Geography Biography (2023), direct from its debut at the Bourse de Commerce – Pinault Collection in Paris. Dean’s most biographical work to date, the 35mm diptych reflects the artist’s relationship to the world through her ‘cutting room floor’, incorporating outtakes from her 16mm films and her early Super and standard 8mm films, to form what she calls an ‘accidental self-portrait’.
MCA Australia also premieres Dean’s new film, Claes Oldenburg draws Blueberry Pie (2023), depicting the American Pop artist Claes Oldenburg (b. 1929 – d. 2022) drawing in his Manhattan studio. Oldenburg, in Dean’s words, was a ‘virtuoso draughtsman’ drawing ‘fluid, wry, brilliant, funny’ images that often referenced his giant public sculptures.
Exhibited together for the first time are Dean’s monumental chalk on blackboard drawings, The Wreck of Hope (2022) and Chalk Fall (2018). Dean’s use of chalk – an unfixed medium – mirrors the fragility of the landscapes she portrays, which are increasingly threatened by our climate emergency.
Depicting a melting glacier, The Wreck of Hope, takes its title from a famous painting of the same name by the German Romantic landscape painter Caspar David Friedrich (b. 1774 – d. 1840). The majestic cliff in Chalk Fall recalls England’s iconic White Cliffs of Dover, a landscape steeped in wartime notions of nationhood and the home front. Dean’s cliffs, created during the turbulence of Brexit, evoke geopolitical and environmental collapse.
Sakura (Jindai II) (2023), another standout work, is a large-scale photograph that Dean has overdrawn in pencil, of the Jindai-Zakura, a rare cherry blossom tree in Yamanashi Prefecture, Japan. With an estimated age of 2000 years, this tree is thought to be the oldest of its kind.
Its branches are supported by wooden crutches, a practice intended to extend its life. Dean’s meticulous embellishment of the tree’s branches give it an otherworldly quality and accentuates the inherent duality of nature as a powerful yet vulnerable entity.
A special feature of the MCA Australia exhibition is a series of works related to Dean’s commissioned set designs and costumes for the acclaimed ballet, The Dante Project (2021) inspired by Dante Alighieri’s narrative poem The Divine Comedy (1321), which premiered at the Royal Opera House, London.
A collaboration between Dean, the choreographer Wayne McGregor and composer Thomas Adès, the ballet follows Dante’s journey through the three realms of the afterlife – Inferno, Purgatorio and Paradiso.
Central to this presentation is Paradise (2021), the film shown in the ballet’s final act. Presented in an architecturally designed pavilion, Paradise is a 35mm Cinemascope abstract film that references the circular planetary motifs that feature throughout Dante’s poem. The vibrant colour palette is inspired by the work of artist William Blake (b.1757 – d.1827) and the film’s soundtrack is a MIDI digital simulation of Adès’s composition Paradiso.
One Hundred and Fifty Years of Painting (2021) is a filmed conversation between the painters Luchita Hurtado (b. 1920 – d. 2020) and Julie Mehretu (b. 1970), and one of the most recent works in Dean’s ongoing acclaimed series of film portraits.
Realising that Hurtato and Mehretu shared a birthday precisely five decades apart, a serendipitous connection that lends the work its title, Dean filmed the two artists in dialogue over the course of a day in Hurtado’s Santa Monica apartment in 2020, only months before Hurtado would have celebrated her one hundredth birthday.
In this intimate and illuminating film, the two women discuss their respective artistic practices and the medium of painting, as well as their lives and personal trajectories.
Another film highlight is Dean’s Event for a Stage (2015), described as a live theatrical happening that inscribes time in the space of a performance, the film is a portrait of an ‘actor’ on stage. Originally commissioned by the 19th Biennale of Sydney, Dean developed the work to be realised across three mediums: theatre, radio and film.
Over four nights in May 2014, Dean filmed Stephen Dillane as ‘the actor’ in front of a live audience, using two 16mm cameras as part of the event. Each performance was unique and the script included passages from Shakespeare’s play The Tempest (c.1610–11) and Heinrich von Kleist’s essay On the Marionette Theatre (1810).
The MCA Australia exhibition also delves into Dean’s career-long observation of natural phenomena such as clouds which are a recurring motif in the artist’s work, appearing in her films, drawings, photographs and prints. The atmospheric hand-drawn lithographs, LA Exuberance (2016) and LA Magic Hour (2021), were inspired by the artist’s response to the luminous skies in Los Angeles and made in collaboration with master printers Gemini G.E.L. in Los Angeles.
Sydney International Art Series 2023 – 2024
Tacita Dean is one of three exhibitions making up the Sydney International Art Series 2023 – 2024. Now in its fifteenth year, this initiative supported by the NSW Government through its tourism and major events agency Destination NSW, brings the works of internationally renowned artists exclusively to Sydney to show at MCA Australia and the Art Gallery of NSW.
Throughout Summer 2023 /2024, Tacita Dean will be presented at MCA Australia alongside Louise Bourgeois: Has the Day Invaded the Night or Has the Night Invaded the Day? and Kandinsky at the Art Gallery of New South Wales.
“Tacita Dean, Louise Bourgeois and Wassily Kandinsky are three highly influential international artists,” said NSW Minister for the Arts and Minister for Jobs and Tourism, John Graham. “It will be an exciting opportunity for local and visiting audiences to engage with the work of these trailblazing figures in Sydney this summer.”
“The Sydney International Arts Series is helps establish Sydney as Australia’s creative capital and increasingly, a global hub for cultural experiences.’
Tacita Dean
Museum of Contemporary Art Australia, 140 George Street, The Rocks (Sydney)
Exhibition continues to 3 March 2024
Entry fees apply
For more information, visit: www.mca.com.au for details.
Images: Tacita Dean – photo by Thomas Meyer: OSTKREUZ | Tacita Dean, The Wreck of Hope, 2022, installation view, Museum of Contemporary Art Australia, 2023, chalk on blackboard, image courtesy the artist, Frith Street Gallery, London and Marian Goodman Gallery, New York, Paris and Los Angeles © the artist – photo by Zan Wimberley | Tacita Dean, Paradise (film still), 2021, with music, Paradiso by Thomas Adès, 35mm colour anamorphic film, image courtesy the artist, Frith Street Gallery, London and Marian Goodman Gallery, New York, Paris and Los Angeles, © the artist