Who is Garry Stocks?
Garry Stocks is a Melbourne-based and internationally recognised tap dance artist, choreographer and Artistic Director of Studio Stocks. A former Australian Ballet dancer, he has returned to his love of tap to create contemporary work that explores rhythm, movement and expression in new ways. He is passionate about pushing the boundaries of tap and creating a place for the art form within Australia’s contemporary dance landscape.
What would you do differently from what you do now?
I’m not sure I would do anything differently from what I do now. I’ve been incredibly fortunate to have had some very strong passions in my life that have led me down rewarding career and life paths, and I don’t think I would want to change any of that. I’ve always wanted to be a jazz pianist, though, so perhaps in another lifetime that might still play out!
Who inspires you and why?
I’m inspired by people who take risks and are willing to go the extra mile for what they believe in. I’m constantly inspired by artists within my own circles who continue to develop, find new ways to connect with audiences and create beautiful work, while also pushing for greater visibility for tap dance. Michelle Dorrance, Anthony Morigerato and Sebastian Weber have all been great motivators for me. I’m particularly inspired by artists who have the courage to take big artistic leaps and block out the noise that can come with doing something new.
What would you do to make a difference in the world?
I’m not even sure where to start with this one. The world is in a very challenging place at the moment, but I think having an open mind and being conscious and kind towards each other will always help move things in a better direction. We all have the power to make even a small difference, and sometimes simply being kind, open-minded, listening and supporting others can be incredibly valuable, especially in the noisy world we live in. Small gestures can have far more impact than we realise.
Favourite holiday destination and why?
Somewhere in Italy, with my lovely wife alongside me. Wine, food, culture, history and incredible places to wander and get lost in time. The cobblestone streets of Milan covered in snow over the Christmas period immediately spring to mind. There’s something about being able to slow down, wander without a plan and immerse yourself in a place that I absolutely love.
When friends come to town, what attraction would you take them to, and why?
If there’s an opportunity, I’d take them to see some Melbourne theatre, particularly something at the State Theatre – a place that was my artistic home for a decade and one of Melbourne’s most wonderful theatres. I’m very much looking forward to seeing a production in the newly renovated building. Other than that, you can’t beat wandering through the city looking for a hidden coffee haunt.
What are you currently reading?
I’m currently reading We Are Movement by Sir Wayne McGregor. As a dancer and choreographer, I find it fascinating to explore how much we communicate through the body, often without even realising it. McGregor challenges the traditional Western separation of mind and body and explores the idea of ‘physical intelligence’ – that our intelligence, creativity and ability to learn are deeply rooted in our physical bodies. As a creator, I find the exploration of body language and its subconscious meanings particularly fascinating.
What are you currently listening to?
Radiohead on repeat! I managed to secure tickets to their 2027 Melbourne shows, so I’ve had their albums playing constantly. I also love choreographing to a lot of their music. Their musicianship, unconventional structures and interesting time signatures make their music incredibly satisfying to dance with.
Happiness is?
Happiness is being surrounded by my family and my fur family – we have two wonderful miniature dachshunds who bring an incredible amount of joy into our lives. Beyond that, I find great happiness in being in a room full of generous artists, exploring with the utmost vulnerability and freedom. There’s something very special about those moments when people feel safe enough to be completely open, take risks and discover something together.
What does the future hold for you?
I’m currently in full rehearsal mode for the upcoming season of my tap company’s Melancholia, so the immediate future is very much about getting that work back on stage. Beyond that, the future feels both promising and challenging, but it’s my passion for the art form – and the questions I’m yet to answer within my own artistic practice – that keep pushing me forward.
I’m planning a new full-length work for Studio Stocks and, because apparently I don’t have enough to do, I’ve also written the entire score for it! I want to continue finding collaborators and artists who can help increase both the visibility and artistic possibilities of tap dance, while finding opportunities to perform everywhere from main-stage productions to a jazz club improvising with a band.
I’ll also continue teaching and coaching tap and ballet, hopefully inspiring and helping shape the next generation of artists here in Melbourne, both on and off the stage.
Garry is the Director / Choreographer of Melancholia – which will be presented by Studio Stocks at Chapel off Chapel from 1 – 3 October 2026. For more information, visit: www.garrystocks.com for details.
Image: Garry Stocks – photo by Laura Manariti