HEX AARFor anyone born after the 1980’s it must be hard to comprehend the pall that the spectre of AIDS cast over humanity. A time when the very diagnosis of AIDS was tantamount to a death sentence.

Born in 1987, the year in which the greatest number of people died in Australia and the U.S. as the result of AIDS related illness, and after learning that a number of his friends had become HIV positive, dancer/choreographer James Welsby created his dance work, HEX, in an attempt to make sense of the epidemic, and to hopefully better understand the present rise of apathy towards HIV/AIDS amongst his peers.

Utilising three dancers, himself, Chafia Brooks and James Andrews, together with a dramatic soundscape by Claudio Tosco, sensitive lighting design by Rose Connors Dance, a dance vocabulary drawing primarily on popular club dance moves, together with a good deal of chutzpah and imagination, Welsby has created an intriguing work, which, even if it does not provide answers, will certainly go a long way towards achieving his secondary aim of creating an inter-generational conversation about AIDS history.

The work commences with a recording of Peter Allen singing Everything Old is New Again. Towards the end of the song the recording grinds to a halt, as Brooks and Andrews take the stage, separated from each other by two corridors of light. Welsby, wearing a Grim Reaper costume and mask, appears and menaces the others. After a few minutes, Welsby discards the costume with the exception of the mask, which remains a constant through-out the work, suspended centre stage.

The three perform a long series of complicated disco moves, moving in unison. Then follows several intriguing sections, which, although the significance of what they attempt to convey was not always clear, were none-the-less interesting for their theatricality and staging.

In the final startling moments of the work, the choreographer exposed his anus to the audience in a gesture, perhaps of insult, invitation or maybe a reference to the source of the epidemic. Not all the ideas in HEX work, however, it is an admirable attempt to address a difficult topic through dance. One looks forward to seeing more of Welsby’s creations.

Director / Choreographer: James Welsby  Performers: James Andrews, Chafia Brooks, James Welsby  Lighting Design: Rose Connors Dance  Sound Design: Claudio Tocco  Production/Stage Manager: Jennifer Spiers  Costume Design: Bryn Meredith

The Street Theatre, Childers Street, Canberra
Performance: Sunday 1 March 2015
For more information, visit: www.jameswelsby.com for details.

Image: James Welsby in HEX – photo by Gregory Lorenzutti

Review: Bill Stephens