This year’s exhibition, titled NIRIN and meaning ‘edge’ in Wiradjuri, is an artist- and First Nations-led biennale showcasing more than 700 artworks by 101 artists and collectives. A global platform for diverse cultures and perspectives, the Biennale unites people across the world, stimulating dialogue and inspiring change.
The COVID-19 pandemic and potential impact on the safety of our visitors, artists, staff and wider community remains our top priority. And so, in line with the latest advice from Government authorities, the Biennale of Sydney is closing its public exhibitions from Tuesday 24 March 2020 until further notice.
We will continue to adapt and innovate in the face of this global crisis. Our doors close across Sydney, and they will open online – for everyone, everywhere across the world. We remain steadfastly committed to the artists and communities we serve by moving to a digital program.
Working with long-time Biennale partner Google – and in a first for the Biennale of Sydney – audiences around the world will be able to engage with NIRIN on the Google Arts & Culture platform. Creating a virtual Biennale will bring the exhibition and programs to life through live content, virtual walk-throughs, podcasts, interactive Q&As, curated tours and artist takeovers.
At times like these, it is more important than ever that we find ways to connect, to help each other, listen, collaborate and heal – all core themes of NIRIN.
The Biennale remains artist-led and will allow our artists to lead the way in responding to the urgent social, political, and environmental issues we are facing today. We are shifting to digital programs, sharing more in coming weeks.
We look forward to welcoming you back to the physical exhibition when our Government authorities deem it safe to reopen. Until then, we encourage everyone to look after one another during this challenging time, and when you go looking for connections in isolation, engage online. For more information, visit: www.biennaleofsydney.art for details.
Image: Ibrahim Mahama, A Grain of Wheat, 2015-2018 (detail) mixed media, dimensions variable – photo by Ollie Hammick © the artist and White Cube