This staging of Putting It Together at Sydney’s Foundry Theatre stands as a testament to the enduring genius of Stephen Sondheim, elevating his work through meticulously considered interpretation and a deep reverence for musical theatre artistry.
The production is both a captivating entertainment and a probing exploration of the intricate craftsmanship that defines Sondheim’s compositions. Each number unfolds as a finely crafted dramatic vignette, allowing the cast to mine the emotional and psychological layers within the material while imbuing their performances with nuance and authenticity.
Originating in 1992, the revue reflects Sondheim’s collaboration with Julia McKenzie as they curated a program that bridges the gap between earlier revues and significant works spanning 1976 to 1992.
The evening draws from an array of musicals: Sweeney Todd, Merrily We Roll Along, Sunday in the Park with George, Into the Woods, Assassins and includes selections from the film Dick Tracy, offering audiences a panoramic view of Sondheim’s creative evolution.
Central to the presentation is the intriguing ambiguity of its structure, which features two couples navigating the complexities of intimacy, underscored by an ever-present observer who threads thematic resonance throughout the evening. The question of whether these couples are unique or manifestations of the same relationship at different junctures is left deliberately unresolved, inviting reflection and interpretation.
Nick Fry’s set design conjures the sophistication of an upscale New York penthouse, swathed in elegant white drapery and anchored by twin baby grand pianos flanked by an expansive percussion setup. This refined environment is further enriched by thoughtful touches – a well-filled cocktail cabinet, a generous lounge, and an elegant staircase – that sets the stage for the characters’ interplay.
Director Cameron Mitchell’s vision eschews fidelity to the source context, instead urging his cast to reinterpret each song through the lens of the revue itself. His choreography is crisp and expressive, and his direction supports a cohesive, unified production that respects the spirit of Sondheim’s work while encouraging fresh artistic discovery.
Caroline O’Connor commands attention as the senior partner of the older couple, her rendering of Could I Leave You (Follies) and Ladies Who Lunch (Company) balancing technical mastery with emotional weight. Her impeccable comic timing, especially in ensemble moments like Getting Married Today, attests to her consummate skill and stage presence.
Michael Cormick admirably complements O’Connor, lending the proceedings a restrained gravitas and vocal warmth. His performances in Good Thing Going (Merrily We Roll Along) and duets such as Have I Got a Girl for You and Pretty Women resonate with sincerity.
Stefanie Caccamo makes a striking impression, displaying versatility and assurance, particularly in her standout delivery of More from Dick Tracy. Nigel Huckle delivers memorable work in Marry Me a Little and Unworthy of Your Love, bringing clarity and feeling to each phrase.
Bert Labonte sets the tone for the evening, deftly guiding the audience before launching into Invocations and Instructions to the Audience (The Frogs), and continues to enrich ensemble and solo numbers, notably Buddy’s Blues (Follies), with dynamic energy.
Musically, Guy Simpson and Kevin Wang merit special mention for their innovative arrangements, translating Jonathan Tunick’s orchestrations into a compelling tapestry of piano and percussion that heightens the lyricism of Sondheim’s songs. The company-wide choral adaptation of Being Alive emerges as a climactic highlight.
In sum, this production of Putting It Together demonstrates meticulous attention to detail and sensitive artistry, cementing Sondheim’s reputation as a towering figure in musical theatre. It offers audiences – whether devotees or newcomers – a vibrant and illuminating journey through some of the most significant achievements in the genre.
Putting It Together
Foundry Theatre, 55 Pirrama Road, Pyrmont (Sydney)
Performance: Thursday 8 January 2026
Season continues to 15 February 2026
Bookings: www.ticketmaster.com.au
For more information, visit: www.foundrytheatre.com.au for details.
Images: Stefanie Caccamo, Nigel Huckle, Caroline O’Connor, Bert Labonte and Michael Cormack – photo by Daniel Boud | Michael Cormick and Caroline O’Connor – photo by Daniel Boud | Caroline O’Connor and Bert Labonte – photo by Daniel Boud | Stephanie Caccamo, Bert LaBointe and Nigel Huckle – photo by Daniel Boud
Review: Bill Stephens OAM