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Month: August 2023

Opera-Australia-La-Gioconda-photo-by-Keith-Saunders
Latest Reviews

La Gioconda in Concert

11 August 2023

New-Theatre-A-Very-Expensive-Poison
Theatre

A Very Expensive Poison

11 August 2023

DARKFIELD-presents-FLIGHT-photo-by-Mihaela-Bodlovic
Performance

Immersive experience FLIGHT set to land in Gold Coast next month

11 August 2023

AGSA-Ramsay-Art-Prize-2023-Zaachariaha-Fielding-Wonder-Drug-photo-by-Saul-Steed
Exhibitions

Zaachariaha Fielding wins $15,000 Ramsay Art Prize 2023 People’s Choice

11 August 2023

Griffin-Theatre-Company-Jailbaby-Anthony-Yangoyan-and-Lucia-Mastrantone-photo-by-Clare-Hawley
Latest Reviews

Jailbaby

11 August 2023

AAR-Kate-Jenkins-AO
Creative Industries

Kate Jenkins AO to chair Creative Workplaces Council

11 August 2023

APO-Leading-Ladies-John-Foreman-Casey-Donovan-Caroline-O'Connor and Silvie-Paladino
Music

John Foreman’s Aussie Pops Orchestra presents Leading Ladies

10 August 2023

Life-Instyle-Melbourne-3---6-August-2023
Creative Industries

Life Instyle celebrates a successful and beautiful Melbourne event

10 August 2023

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Australian Arts Review (AAR) features the best of Australia’s performing and visual arts sector. Free to access and only featuring professional and independent artistic practice, the website provides up-to-date and relevant editorial content (including reviews and opinion pieces) to those within and outside the artistic sector in an easily read and accessible format.

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News In Pictures
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  • Jenni Large in THAW by Legs On The Wall Greenwich+Docklands International Festival, London (2024) photo by Abdullah Bailey Photography
  • VO2026 Oliver Thadoe Naing Genevieve Gray Rachelle Durkin and Sharon Prero in The Turn of the Screw photo by Jeff Busby
  • MT Koreaboo Michelle Lim Davidson and Heather Jeong  photo by Gianna Rizzo
  • MFF26 Am I Who X 2 photo by Matthew Doherty
  • IN BED WITH MY BROTHER presents Philosophy of The World photo by Fotometro
  • A Love Letter to the Inner North Emily Soley
  • BF26 Strong is the New Pretty photo by  Morgan Roberts
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