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Month: August 2017

Eryn Jean Norvill Arts Review On the Couch
On the Couch

On the Couch with Eryn Jean Norvill

14 August 2017

Belvoir Sue Donnelly
Creative Industries

Belvoir announces new Executive Director

14 August 2017

IPMA The Score John Nixon, Colour-Music Music Composition, 2006-2010
Exhibitions

The Score

14 August 2017

High Fidelity Teagan Wouters, Toby Francis, Joe Kosky and Dash Kruck - photo by Lauren Peters
Music Theatre

Stellar Cast announced for Sydney season of High Fidelity

14 August 2017

Malthouse Elephant Man Daniel Monks, Julia Forsyth - photo by Pia Johnson
Latest Reviews

The Real and Imagined History of the Elephant Man

14 August 2017

Brisbane Powerhouse Fiona Maxwell
Latest News

Innovating an icon – Brisbane Powerhouse

14 August 2017

Lucy Heffernan Arts Review On the Couch
On the Couch

On the Couch with Lucy Heffernan

11 August 2017

NGV The Pool – exhibition installation at 2016 Venice Biennale of Architecture © Aileen Sage Architects - photo by Brett Boardman
Exhibitions

The Pool: Architecture, Culture and Identity

11 August 2017

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About Australian Arts Review

Australian Arts Review (AAR) features the best of Australia’s performing and visual arts sector. Free to access and only featuring professional and independent artistic practice, the website provides up-to-date and relevant editorial content (including reviews and opinion pieces) to those within and outside the artistic sector in an easily read and accessible format.

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  • The Playground Project Daniel Baumann and Gabriela Burkhalter
  • The Wynnum Fringe Launch in the Augathella Spiegeltent
  • Canberra Youth Theatre Sonia Dodd
  • Andi Snelling in Happy-Go-Wrong photo by Darren Gill
  • Jake Yang photo by Rosina Possingham
  • Piera Dennerstein photo by Jens Radda
Recent Posts
  • Queensland Ballet: Peter and the Wolf
  • On the Couch with Karlis Zaid
  • JULIA
  • How play shapes our suburbs and imaginations: The Playground Project opens in Melbourne
  • Wynnum Fringe returns for 2025
  • Canberra Youth Theatre’s Emerging Playwright Commission
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