Featuring 10 powerful productions, Enoch said 2016 would engage and challenge on the need for bravery and moral fortitude in shifting times, providing a forum for debate, diversity and the driving of change. From Molière and Shakespeare, to local stories from around the corner, international masterpieces and the best Australian writing, QTC is set to celebrate ambition and achievement.
Season 2016 opens in January at the Playhouse with the devilishly funny comedy that journeys into old age, Quartet. Writer Ronald Harwood takes on retirement with tenderness, grace and hope – but no self-pity – in this moving and all too truthful tale of the frustrations and fears of getting old.
Fresh from directing the smash hits Grounded and Venus in Fur, Andrea Moor pulls the stage strings while actors Christine Amor, Andrew McFarlane, Trevor Stuart and Kate Wilson thoroughly enjoy themselves in this bawdy romp through the golden years. The show will then go on to tour regional Queensland.
Based on the award-winning novel by Kate Grenville, the acclaimed The Secret River, winner of six Helpmann Awards including Best Play, Best Direction and Best New Australian Work, is a powerful story of the bloody beginnings of colonial Australia, when pardoned convicts clashed with the traditional owners of the land they settled.
The Sydney Theatre Company production brings together celebrated Australian director Neil Armfield and adaptor Andrew Bovell, with actors Nathaniel Dean, Trevor Jamieson, Matthew Sunderland and Ningali Lawford-Wolf to tell the deeply moving tale of two families divided by culture and land in this showstopping Queensland premiere.
In April, QTC presents Shakespeare’s Much Ado About Nothing, directed by Jason Klarwein, with Ellen Bailey and Tama Matheson as the young starry-eyed couple, leading an all-star cast featuring Christen O’Leary, Hugh Parker and Bryan Probets, this romantic sparring is the tale of two pairs of very different sweethearts starring some of the best acting talent in the country.
In May, QTC leaves the Playhouse until October, making its home in the Bille Brown Studio (BBS). From award-winning Australian playwright Joanna Murray-Smith comes Switzerland, a stunning new two-hander starring Andrea Moor, in an effortless move from director to on-stage lead. This is a theatrical thriller with famed author Patricia Highsmith (The Talented Mr. Ripley) centre stage, having to pen one last devastatingly brilliant book.
In July, QTC and Dead Puppet Society will stage the world premiere of The Wider Earth – a coming-of-age story about science and faith that recounts the tale of a younger Charles Darwin’s voyage on the HMS Beagle. The Dead Puppet Society’s David Morton, who penned The Wider Earth, will also direct and design.
Opening at the Bille Brown Studio in late August, St Mary’s in Exile is a tale that would be beyond belief if it wasn’t true. Gripping and inspirational, the play strikes close to home, telling the story of beloved priest, Father Peter Kennedy, excommunicated from St Mary’s in South Brisbane for preaching acceptance and equality.
Written by acclaimed Brisbane playwright David Burton, the show will shock and inspire, with a star-studded cast that includes Chenoa Deemal and Caroline Kennison, under director Jason Klarwein, also moving from actor to director seamlessly in Season 2016.
Novelist and screen writer Ayad Akhtar’s dynamite theatrical debut, Disgraced comes to the Playhouse from Melbourne Theatre Company in October. The Pulitzer Prize-winning drama is a stirring tale that poses challenging questions about identity, tribalism and the fragility of friendships and will be directed by Nadia Tass, and includes the wonderful Mitchell Butel.
Proving that centuries old tales still have the power to resonate with audiences, Tartuffe is a bawdy play about power, hypocrisy and gullibility, pillorying religious fanaticism and moral weakness. Adapted by Justin Fleming from French playwright Moliere’s sinfully brilliant 17th century comedy, it demonstrates that perhaps modern attitudes haven’t changed as much as we think.
Ribald and riotously irreverent, Tartuffe is a co-production with Perth’s Black Swan Theatre Company and features stage darlings Darren Gilshenan, Hugh Parker, Rose Reilly, Steve Turner, Alison Van Reeken and Alex Williams.
A little newer to Australian theatre is Bastard Territory, a confessional human drama about identity. This new Australian play from Brisbane-based writer Stephen Carleton, Bastard Territory mixes wry humour, raw insight and a killer 60s and 70s soundtrack, along with the talents of Benhur Helwend, Suellen Maunder and Peter Norton, for a powerful and affecting tale, directed by Ian Lawson.
The finale for the 2016 Season is an elegant and sophisticated work. Based on fact, the epic and intimate Motherland is from Brisbane-based writer Katherine Lyall-Watson, and was recognised as a Patrick White Playwright’s Award Finalist. A tapestry of displacement and identity, it explores the casualties of love, ambition and politics.
For more information, including ticketing details and subscription packages, visit: www.queenslandtheatre.com.au for details.
Image: The Wider Earth – photo courtesy of Queensland Theatre Company