Opera Australia’s new Merry Widow breaks ticket sales record!

OA The Merry Widow (Can Can) - photo by Jeff BusbyOpera Australia’s new production of Lehàr’s original ‘rom-com’ The Merry Widow has become the highest selling of this popular show in the company’s history at the Sydney Opera House, with more than 26 000 tickets already sold for its 2018 summer season.

Just 2 weeks into a 5-week run, more people have booked to see this Broadway-style version of The Merry Widow than any previous production, even when it starred the iconic Dame Joan Sutherland herself.

Directed by one of Australia’s premier choreographers, Graeme Murphy has created a dazzling production filled with captivating dance routines, expert comedic timing and an enchanting all-star cast. Combined with the stunning Art Deco set by designer Michael Scott Mitchell and Jennifer Irwin’s exquisite costumes, this operetta has become the hottest ticket for summer.

Word is spreading fast so patrons have been flocking to see star soprano Danielle de Niese who is delighting audiences and reviewers alike in the lead role of Hannah Glavari, while playing opposite her is the equally charismatic tenor Alexander Lewis, whose charm and magnetism in the role of Count Danilo Danilovich have been likened to a young Hugh Grant.

“This production is such a feast for the eyes, the ears and the heart that it’s destined to become a treasured memory for anyone lucky enough to experience it.” – Bill Stephens OAM – Australian Arts Review

Opera Australia’s Artistic Director Lyndon Terracini is thrilled with the audience reaction. “Our aim is to connect with as wide an audience as possible, so for people to take to this production in such an enthusiastic way, and to have such huge numbers already booked in so early in the season is fantastic,” said Terracini. “And there are still plenty of good seats available, it’s a long run.”

Murphy’s The Merry Widow opened Opera Australia’s 2018 Sydney Season with a bang, and continues to delight audiences, with standing ovations almost every night. The production continues to 3 February. For more information, visit: www.opera.org.au for details.

Image: Danielle de Niese as Hanna Glavari (centre) in Opera Australia’s production of The Merry Widow – photo by Jeff Busby

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