Part of the Sydney International Art Series, the exhibition will feature over 80 works, ranging from 1750 to 1966, cover more than 200 years of American art, history and experience. Many of the works on display have never been seen in Australia before.
America: painting a nation sets a course from New England to the Western frontier, from the Grand Canyon to the burlesque theatres of New York, from the aristocratic elegance of colonial society to the gritty realism of the modern metropolis.
This exhibition will reveal the breadth of American history, the hardy morality of the frontier, the intimacy of family life, the intensity of the 20th-century city, the epic scale of its landscape and the diversity of its people.
The works being presented, many by American masters, are the works Americans love and works that represent the stories they have grown up with.
America: painting a nation features well-known names: Jackson Pollock, Mark Rothko, Georgia O’Keeffe and James Whistler among them. But most are less familiar; the ‘household names’ of American art are rarely seen in Australia.
The exhibition will introduce Copley, Peale and Sully, the great portraitists of the Revolutionary era; Church, Cole and Moran, masters of the sublime landscape; Homer and Remington, lyric poets of the frontier; Cassatt, Sargent and Hassam, celebrators of the 19th-century Gilded Age; Sloan, Shinn and Henri, humanist observers of the early 20th century city; Demuth, Marin and Davis, the voices of a uniquely American vision of dynamic modern life.
Selected in collaboration with the Los Angeles County Museum of Art, the Terra Foundation, Chicago, the Philadelphia Museum of Art and the Museum of Fine Arts, Houston, America: painting a nation brings to Sydney both national and regional perspectives on American art.
Diversity is a key theme in the exhibition. The cultural diversity of a continent inhabited first by Native American Indians; colonised by the Spanish, French and English; and developing through mass migration into a cultural melting pot.
The physical diversity of a landscape encompassing the dense forests of the northeast, the endless plains of the Midwest, the awe-inspiring geography of the Grand Canyon and the stillness of the desert.
“This exhibition signals a significant direction for the AGNSW by building relationships with major American museums and further developing our visitors’ engagement with American art and culture,” says said Michael Brand, Director of the Art Gallery of New South Wales.
“While we have a fair share of American culture in Australia, especially through the media, we need to be better connected with American history and American vision. What we see in this exhibition is how America came to be America.”
“The artists reveal America’s foundation narratives: the Pilgrims, the Founding Fathers, the frontiersman, the migrant. They explore the ideas, places and people that made America exceptional but equally there are works that don’t shy away from the darker chapters of American history either. Some of the paintings are very challenging.”
America: painting a nation
Art Gallery of New South Wales, Art Gallery Road, The Domain, Sydney
Exhibition continues to 9 February 2014
Entry fees apply
For more information, visit: www.artgallery.nsw.gov.au for details.
Image: Henry Inman, No-Tin (Wind), a Chippewa chief 1832–33 (detail)