“Since the 66th Sydney Film Festival in 2019, everything and nothing has changed. We aren’t together in a dark cinema sharing new ideas and worlds – but film is still where we look for them. So, Sydney Film Festival is back this year with a virtual program available to all homes across Australia.
“This year’s special 67th Sydney Film Festival: Virtual Edition and Awards presents a distilled essence of Sydney Film Festival, where audiences can not only watch mind-boggling films but support the filmmakers who’ve made them,” said Nashen Moodley. “SFF has always been about community and dreaming together through film.”
In 2020, the Virtual Festival will present limited screenings of 33 films from 12 countries including 16 World Premieres, bringing together international and local stories from Australian and European filmmakers. There are 7 feature films, 13 documentaries, and 13 short films. All films will screen with bonus material exclusively filmed for SFF, including filmmaker introductions and the screening, followed by question and answer sessions.
Documentary Australia Foundation Award for Best Australian Documentary:
10 new Australian documentaries (including eight World Premieres) will contest as finalists for the Documentary Australia Foundation Award for Best Australian Documentary, with the winning film announced and presented with a $10,000 cash prize at the SFF Virtual Awards Ceremony on Thursday 18 June.
Powerful First Nations stories include: The Skin of Others, a compelling portrait of Aboriginal WWI soldier Douglas Grant’s life, starring the late Balang Tom E. Lewis in his final role; and Our Law, an exclusive snapshot of Western Australia’s first Indigenous-run police station brought to SFF with the support of Screenwest and NITV.
Documentaries on pertinent social issues include: The Leadership, chronicling the experiences of a group of international female scientists as they set sail for Antarctica under the guidance of Australian leadership expert Fabian Dattner; and The Weather Diaries, a poignant exploration from director Kathy Drayton (Girl In A Mirror: A Portrait of Carol Jerrems, SFF 2005) on what the future holds for her pop-artist daughter Imogen aka Lupa J, amidst the threats of climate change and mass extinction.
Women take centre stage in Morgana, the empowering story of how a 50-year-old housewife’s plan to end it all unexpectedly transforms into a radical journey of sexual exploration; and Women of Steel, a rousing documentary that follows a group of determined local women and their 14-year fight for the right to work in Wollongong’s steel industry.
Tales exploring the perspectives of multicultural Australians include: Rosemary’s Way, the inspirational story of a group of migrant women in Western Sydney and their remarkable champion, Rosemary Kariuki; and The Plastic House, directed by and featuring Allison Chhorn, an experimental take on memory and healing from a young Cambodian-Australian woman’s perspective.
Stories from beyond our borders include Descent, about one of the world’s daring professional ice free divers; and A Hundred Years of Happiness, a moving observational look into the life of a young woman in rural Vietnam as she prepares to migrate to South Korea for an arranged marriage.
Europe! Voices of Women in Film:
In partnership with European Film Promotion, Sydney Film Festival presents the fifth annual Europe! Voices of Women in Film; a program of 10 new films from vital European women filmmakers. From Germany to Finland, and Kosovo to Estonia, Europe! Voices of Women in Film shines a spotlight on exciting, talented women filmmakers.
Among the 10 films selected are Swiss feature My Little Sister, an intricate family drama starring Nina Hoss (Phoenix, SFF 2015) and Lars Eidinger (Babylon Berlin) that played in Competition at Berlin International Film Festival; and the German film Kids Run, a gritty love story about a former boxer fighting to keep custody of his children and win over his ex-girlfriend.
Impactful debut features include: Malou Reymann’s A Perfectly Normal Family, which explores the complex relationship between a young girl and her transgender parent; and from Kosovo, Antoneta Kastrati’s Zana, a tense family drama about a woman’s struggles to overcome wartime trauma and conceive a child.
Other features selected are Force of Habit, a Finnish anthology made by an entirely-female production team that questions gender stereotypes and the way women’s lives are conditioned in a post #MeToo era; Charter, which follows a desperate mother’s abduction of her two estranged children; and Sea Fever, a gripping sci-fi thriller about the crew of an Irish fishing trawler who fall prey to a deadly sea creature.
Captivating documentaries include: A Year Full of Drama, a social experiment which sees a young theatre first-timer take on a full-time job to review every production in Estonia for a whole year; They Call Me Babu, an ingenious archival documentary exploring the forgotten legacy of Indonesian nannies working for European families in the former Dutch East Indies; and Lessons of Love, a candid portrait of a Polish woman going her own way after leaving an abusive marriage at the age of 69.
Returning to the Festival is Screenability, an exciting platform for screen practitioners with disability, in partnership with Screen NSW.
Three cutting-edge short film works will be showcased: Groundhog Night, written by multidisciplinary artist Emily Dash, co directed by Genevieve Clay-Smith and Rawley Reynolds, and starring Australian heavyweight actors Chris Haywood, Robyn Nevin and Susan Prior; Diving In, co-directed by former Youth Paralympian Adam Bowes and Australian Directors’ Guild Award-nominee Nina Oyama (The Angus Project); and Safety Net directed by award-winning theatre director Anthea Williams, about a cheeky 12-year-old boy in emergency care.
Ten finalists for the prestigious Dendy Awards for Australian Short Films will screen in the Virtual Festival. Australia’s longest running short film competition is now in its 51st year and has been sponsored by Dendy Cinemas since 1989.
Finalists will compete for three coveted prizes including: The Dendy Live Action Short Award, The Rouben Mamoulian Award for Best Director and the Yoram Gross Animation Award, announced at the Festival’s Awards Night on Thursday 18 June. The competition has a star-studded jury in 2020 comprised of George Miller (Mad Max: Fury Road, Happy Feet), Bryan Brown (Australia; Palm Beach, SFF 2019) and Sophie Hyde (Animals, SFF 2019).
Shorts from trailblazing women filmmakers include Mukbang, acclaimed actress Eliza Scanlen’s (Little Women, Babyteeth) directorial debut about a high schooler’s sexual awakening following her discovery of the South Korean phenomenon ‘mukbang’; I Want To Make A Film About Women, a queer love letter to Russian revolutionary women artists of the 1920s; and Her Own Music, about a model student who tries to keep her relationship with another girl secret out of fear for her reputation.
Innovative animations include: Obscura, an imaginative handmade stop-motion animation that looks inside our cameras to reveal the creatures living behind the lens; GNT, an outrageously funny 2D journey into one woman’s unwholesome mission to conquer social media; and The Quiet, AACTA nominated filmmaker Radheya Jagatheva’s thoughtful exploration of an astronaut’s transformative journey through space.
Compelling migrant tales include: The Fall, about a Syrian refugee mother who faces an unforeseen tragedy in her new homeland of Australia; and Ayaan, in which an escaped asylum seeker encounters an Indigenous man (Trevor Jamieson, Storm Boy) and must decide whether to trust him or journey on alone.
Other finalists are Grevillea, about a Jewish teen who is caught in limbo at one of Australia’s youth justice centres; and Idol, the story of a young Chinese celebrity called into an emergency meeting with his manager following a young fan’s suicide.
SBS On Demand presents Sydney Film Festival Selects:
The Festival has partnered with Australia’s most distinctive streaming service SBS On Demand to present Sydney Film Festival Selects. Curated by Sydney Film Festival Director Nashen Moodley, the film collection features 40 superb Sydney Film Festival titles for Australians to binge, anytime, anywhere, for free, from 10 June to 10 July 2020.
Highlights include the wildly emotional Academy Award-nominated Belgian drama The Broken Circle Breakdown (2012); Studio Ghibli’s stunning animated fantasy fable The Red Turtle (2016); winner of the Best Australian Documentary category at Sydney Film Festival last year She Who Must Be Loved (2018); and the quietly powerful triptych Certain Women (2016), starring Laura Dern, Kristen Stewart and Michelle Williams.
We Are One – A Global Festival:
Sydney Film Festival has joined 20 major film festivals from around the world, led by Tribeca and including Cannes, Berlin, Venice, Toronto, Sundance and San Sebastian, together with YouTube, to present a free 10-day digital festival beginning on 29 May 2020.
The We Are One: A Global Film Festival program has been revealed with two significant inclusions of Australian film. The Festival contributed two films by ground-breaking First Nation filmmakers: Rachel Perkins’s Mabo (SFF 2012), the unforgettable story of Eddie Koiki Mabo – whose High Court case overturned terra nullius; and Ivan Sen’s Mystery Road (SFF 2013), starring Aaron Pedersen and Hugo Weaving in the story of an Indigenous detective who returns to his rural hometown to investigate the murder of a teenage girl.
Immersing audiences in stories from around the world and providing a voice for filmmakers on a global stage, the event will raise funds for the World Health Organization Covid-19 Solidarity Response Fund. Funds raised from the Sydney Film Festival films will assist the GO Foundation to provide educational pathways for Australian Indigenous students through school (and beyond) following the COVID-19 crisis. The program can be found at www.weareoneglobalfestival.com.
The 67th Sydney Film Festival: Virtual Edition and Awards runs 10 – 21 June 2020. For more information, visit: www.sff.org.au for details.
Image: Diving In (film still) – courtesy of Sydney Film Festival